A piece of Telly Addict that will be forever England this week, from the thoroughly English (certainly Anglican) Rev on BBC2; the thoroughly American-English Martin Amis’ England on BBC4; the thoroughly British, although surprisingly European A Very British Renaissance with the fantastic Dr James Fox on BBC2 (promoted, one might say, from BBC4); the thoroughly English Louis Theroux, who’s moved to LA and made LA Stories for … BBC2; and, not at all English, but still British, and with English subtitled, 35 Diwrnod, the latest in Welsh-language noir from S4C, which is available, subtitled, on their website, if you can’t access it via Sky or other satellites.
We must sit on our hands and address the return of The X-Factor to ITV this week on Telly Addict, the Roman Empire of TV formats – even though I only managed to sit through ten minutes of it; on a more progressive note, HBO’s The Newsroom also returns to Sky Atlantic; the houseshare whodunit What Remains proves a welcome addition to Sunday nights on BBC1; Celebrity Masterchef goes synch crazy with the music and the cookery; Ben Miller meets His Hero Tony Hancock in My Hero on BBC2; and Chickens on Sky1 gets a quick mention because I rather like it.
On this week’s Telly Addict, a clash of the Kudos-produced titans: the eight-part Broadchurch on ITV and the five-part Mayday on BBC1. It’s an unfair fight, as previously established, as I’m reviewing one episode of the former (I hadn’t seen the second when I filmed this, yesterday) and the entirety of the latter, but I hope I have given both a fair crack of the whip in difficult circumstances. Also, on a lighter note: bomb disposal in Afghanistan in new BBC3 comedy Bluestone 42. And, on an actually lighter note, local government in the where-have-you-been? US legend Parks & Recreation, finally arriving on BBC4 after four years on NBC and at least that long on the lips of international comedy aficionados with Region 1 players or no compunction about illegal filesharing. (I have a Region 2 player, a vastly reduced budget for DVDs in any case, and a total aversion to illegal downloading.)
And if you missed my chin-stroking essay on Broadchurch, Mayday and the new film Broken, you may read it here. (There was a time when I was paid for writing such essays, but now I do them for free, which makes them purer, in some ways.)