As I write, it’s not quite yet the very end of the year, but my records indicate that I have seen 153 films in 2013 – that is, 153 films I’ve never seen before (which includes films I’ve seen but never before seen on the big screen, such as Manhattan, Aguirre Wrath Of God and Chinatown). Of those 153, 122 have been films released in 2013. If I were an actual film critic, I’d be seeing around seven a week. But I’m not one. So I’m calling 153 a decent tally. But never mind the width, feel the quality.
Here are my Top 30 in order. I’ve eschewed qualitative ordering in my entries for TV, books and albums, but I feel more confident about films as I log them as I go, and enter a star symbol next to any that stand out from the pack. This makes it easier to sift them. Frankly, the Top 10 rose effortlessly to the top, but the next 20 confirm that it was a damn good year.
1. The Great Beauty | Paolo Sorrentino | Italy
2. All Is Lost | JC Chandor | US
3. Gravity | Alfonso Cuarón | US/UK
4. Blackfish | Gabriela Cowperthwaite | US
5. Compliance | Craig Zobel | US
6. Beyond The Hills | Cristian Mungiu | Romania
7. I Wish | Hirokazu Koreeda | Japan
8. Spring Breakers | Harmony Korine | US
9. Blue Is The Warmest Colour | Abdellatif Kechiche | France
10. Frances Ha | Noah Baumbach | US
11. Mea Maxima Culpa | Alex Gibney | US
12. Silence | Pat Collins | Ireland
13. Lincoln | Steven Spielberg | US
14. Nebraska | Alexander Payne | US
15. Made Of Stone | Shane Meadows | UK
16. A Field In England | Ben Wheatley | UK
17. Mud | Jeff Nichol | US
18. The Selfish Giant | Clio Barnard | UK
19. Shell | Scott Graham | UK
20. No | Pablo Larrain | Chile
21. Zero Dark Thirty | Kathryn Bigelow | US
22. Captain Philips | Paul Greengrass | US
23. Parkland | Peter Landesman | US
24. Blue Jasmine | Woody Allen | US
25. Prisoners | Denis Villeneuve | US
26. What Richard Did | Lenny Abrahamson | Ireland
27. Stories We Tell | Sarah Polley | Canada
28. The Place Beyond The Pines | Derek Cianfrance | US
29. In The Fog | Sergei Loznitsa | Russia
30. A Hijacking | Tobias Lindholm | Denmark
Some thoughts. Four documentaries in the Top 30 (and one in the Top 10) says something powerful about the continued relevance of non-fiction. (The Act Of Killing topped many a critic’s poll in Sight & Sound; for me, it was a unique film, but not one I actually enjoyed.) And two Irish films in the Top 10, too, which has to be a first, and a welcome one. I note that only half my Top 30 are American, which feels like a significant victory for “the rest of the world” as Hollywood accountants call it – although I only did a Top 20 last year and less than half were American, so who knows? On a geographical note, Gravity is apparently “British” enough to qualify for a British Bafta nomination in 2014, as it was shot here and Alfonso Cuarón has dual UK citizenship.
For the record, the following films also received a star under my yes-or-no rating system this year, so they merit an honourable mention. More documentaries, and two more Irish films!
Beware Of Mr Baker | Jay Bulger | UK
Django Unchained | Quentin Tarantino | US
This Is 40 | Judd Apatow | US
For Ellen | So Yong Kim | US
The Spirit of ’45 | Ken Loach | UK
Arbitrage | Nicholas Garecki | US
Reality | Matteo Garrone | Italy/France
Neighbouring Sounds | Kleber Mendonça Filho | Brazil
Good Vibrations | Lisa Barros D’Sa, Glenn Leyburn | Ireland
The Gatekeepers | Dror Moreh | Israel/France/Germany/Belgium
Spike Island | Mat Whitecross | UK
The Look Of Love | Michael Winterbottom | UK
Easy Money | Daniél Espinosa | Sweden
Behind The Candelabra | Steven Soderbergh | US
The World’s End | Edgar Wright | UK
Before Midnight | Richard Linklater | US
Alan Partridge: Alpha Papa | Declan Lowney | UK
We Steal Secrets: The Story of WikiLeaks | Alex Gibney | US
The Deep | Baltasar Kormákur | Iceland
Fire In The Night: The Piper Alpha Disaster | Antony Wonke | UK
Hawking | Stephen Finnigan | UK
Oblivion | Joseph Kosinski | US
What Maisie Knew | Scott McGhee, David Siegel | US
Mister John | Christine Molloy, Joe Lawlor | Ireland/Singapore
Leviathan | Lucien Castaing-Taylor, Verena Paravel | US
A final postscript: I didn’t get to see Philomena this year, which leaves an obvious gap as I suspect I will like it.
Never Knowingly Underwhelmed 