After you! No, after you!

TA89grabLast week’s Telly Addict broke box office records at the Guardian website – I believe I am right in saying that it was the most viewed of all my little, ten-minute TV reviews since April 2011. This week’s Telly Addict can only take a concomitant ratings dive, as it contains no full review of Mrs Brown’s Boys. I fully intended to assess the final episode of series three – the one with the gay wedding – on BBC1, but BBC1 forgot that it’s the most successful comedy on television and bumped the Saturday night repeat for the rugby, failing to find another home for it on any of its other BBC channels. (Let us not forget that the repeat was pulling four million viewers. Who needs ’em, eh?) Instead – apart from a couple of spare clips from last week’s Mrs Brown’s Boys – it’s all about Dancing On The Edge, Stephen Poliakoff’s latest glacial masterpiece, on BBC2; Stewart Lee’s Alternative Comedy Experience¬†vehicle on Comedy Central; Danny Baker’s magnificent Great Album Showdown on BBC4; and a little nod to what might be the final mystery for Lewis on ITV. Perhaps I should have reviewed the rugby. (Oh, by the way, I shall be passing judgement on Louie, belatedly, and Nashville, next week.)


How now, Brown, how?


I take the plunge this week on Telly Addict by watching a whole episode of Mrs Brown’s Boys on BBC1, the most successful sitcom on British television, just in time for its third hit series to end; also, back to Utopia on C4, which I can’t stop thinking about, or reviewing; and two recommendations from the Freeview universe: the second season of Suits, on Dave, and the fourth of The Good Wife on More4, both slick, glamorous, fast-talking US legal dramas, as it happens. Oh, and a definitive “Now, If You’ll Excuse Me, Inspector” from Ripper Street on BBC1.