In reviewing the season finales of three great US imports for Telly Addict this week – Boss, forever, on More4; The Good Wife, for now, on More4; and Modern Family, for now, on Sky Atlantic – it dawned on me that Nathan Lane stole scenes in two out of three of them. What an asset he is, whether playing a gay wedding planner, or a possibly straight court-appointed trustee – how does Broadway operate while he’s away? Also, the grim documentary series on BBC2 Police Under Pressure; and I am proud to present the clip of David Cameron trying to be cool by mentioning Game Of Thrones on Prime Minister’s Questions, courtesy BBC Parliament. Except he said, “Games Of Thrones.” Of course he did.
It’s all a bit behind schedule this week, with Telly Addict not recorded until Tuesday morning due to the pesky Bank Holiday and a “technical issue” holding up its launch. It eventually loaded on Wednesday (although the Guardian has been kind enough to leave a nice plug for it up until this morning). Anyway, in it, the amusing nature of Jack Bauer saying the word “pub” in 24 on Sky1; a fine new historical drama, set in 1996, from the BBC1, From There To Here; the same channel’s one-off karaoke tribute to Dylan Thomas for his centenary, A Poet In New York; Gogglebox reviewing Gogglebox winning a Bafta on C4; and a fast look at The Fast Show Special on BBC2.
Also, in other Guardian news, and in a much faster turnaround, an email arrived on Tuesday telling me that the box set of Boss (both seasons, currently still showing on More4) was out in June. On the same day I asked my friends at the Guardian Arts Desk if they’d like me to write about it for G2’s excellent Your Next Box Set slot. They said yes. I wrote it on Wednesday and delivered it on the same day. And it’s in the actual paper today. Hooray. You can read it here.
Sorry, failed to announce last week’s Telly Addict (and the one before) on this blog, due to crashing deadlines, so here, in the traditional manner, is the alert for what is, in code, TA145, that’s the 145th weekly TV review I’ve done since April 2011. Coming up to its third birthday! And still basically dancing the same jig: what I have done watched on the telly during the week previous, discussed, with myself, in a manner than cannot meaningfully be transcribed and run as text on the Guardian website, despite constant, whining calls for this service. (The same folk must often complain to a dog that they’d rather it was a cat.) Here we go then: Mind The Gap on BBC2, a nuanced look at the way London sucks talent and money away from “the rest of the country” from Evan Davis; Gogglebox, of course, on C4, although rationed doses for this third series, as as not to do myself out of a job; Shetland on BBC1, a detective drama almost as bleak as Hinterland; the delightful Great Canal Journeys with Prunella Scales and Timothy West on More4; the misleadingly titled Michael McIntyre Chat Show on BBC1; and a clip from Astronauts: Living In Space on C4. Normal service resumed.
We apologise for the late arrival of this week’s Telly Addict; this is because the Guardian staff are on “Glastonbury time”. They’re the sunburnt ones, wandering about the corridors, looking lost and prodding the coffee machines, wondering what they could be. As it happens, I cover the Glastonbury coverage this week, or bits of it, on BBC2 and BBC3 (with special commendation to Lauren Laverne, Mark Radcliffe and Jen Long); also, the soapy season one finale of Nashville on More4; the supreme season six finale of Mad Men on Sky Atlantic; HBO’s Phil Spector TV movie on Sky Atlantic, in which Al Pacino atones for those awful Sky Broadband ads (can he need the money that badly?); and my new favourite documentary series, The Route Masters on BBC2.
On this week’s Telly Addict, we bid farewell, or au revoir, to three dramas that came to an end last week. The Village on BBC1, whose first chapter took us from 1914 to 1920, took a bow via a lovely closing shot of the entire village gathered around the new war memorial; Endeavour on ITV, whose fourth mystery was called Home, scattered lots of delicious clues to future events which we have already seen, on Morse, and left Detective Constable Endeavour himself with the threat of a limp “in middle age”; and Boss, on More4, whose first season operated at such a high pitch of corruption and venality, it was a surprise to see the delicate visual flourish that I have chosen as my clip to illustrate what has been a terrific run. There’s also a peek through our fingers at The Apprentice on BBC1, whose launch episode drew its lowest audience since 2007, and something almost as horrible, NBC’s Hannibal, on Sky Living. I also find time to commend the accessible documentary Bankers on BBC2, which lines up plutocrats in suits and supplies fruit to throw at them.
As a fan of both James Nesbitt and Ireland, I was always bound to kick off this week’s Telly Addict with James Nesbitt’s Ireland on ITV, although it wasn’t quite the paradise I’d hoped for. Also, although this isn’t a request show, I had the Wyoming-set cowboy detective series Longmire on TCM recommended me to me a couple of weeks ago, and I checked it out. In order to counterbalance last week’s BBC-only Telly Addict, I went to the new Boss on More4, in which Kelsey Grammer finally emerges from the shadow of Frasier by swearing and shouting and twisting a political opponent’s ear (see: clip); tapped a toe to the impenetrable return of Treme to Sky Atlantic; and loved the second ever live episode of the otherwise flagging-a-bit 30 Rock on Comedy Central. Next week, I promise to review Paul Hollywood’s Beard on BBC2.
Room for one more look back at 2011? My Guardian Telly Addict review of the TV year went up on New Year’s Eve, and I fear it may have been missed in all the excitement. I know it’s 2012 now and we’re all about the future and Sherlock and Endeavour and Treasure Island (all of which I’ll be dealing with this Friday), but if you fancy being reminded of what was on telly between April and December last year, and see my mouth moving about in between, have a look.