2014: My Top 50 TV Shows

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Now we’re talking. For almost four years now, I have been required to watch television for a job. It is a lovely job, even in the weeks when it is an uphill struggle to find anything to rave about into a camera at the Guardian offices in King’s Cross. (You surely know me well enough by now to know that I am a bad TV critic because I have too much empathy with people who make TV programmes and thus find it difficult to slag them off for dramatic effect. So be it.) I cannot lie to you: when, in November, I appeared as a talking head on Channel 5’s Most Shocking TV Moments, I was inordinately proud to be captioned for the first time ever as “Andrew Collins, TV critic”.

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Most Shocking TV Moments was not one of the Top 50 TV shows of 2014, although it wasn’t at all bad, and was important in its own way.

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I can definitely list 50 TV shows that I loved this year, which is a first for my cultural roundup of the year so far, currently a bit undernourished. That’s because I watch a lot more telly than I listen to records or read books. It’s best to get used to that, and not worry about it. Telly is in the best shape it’s been in for years and we should give thanks for that, while music’s in a parlous state and films are struggling to keep up with the small screen. You know it’s true. I’ve had a rethink since first publishing this list, which is a pointless qualitative exercise in any case, and instead of a Top 50 (or whatever the total is up now), I’m reverting to the Top 10, followed by all the rest, as, frankly, after that it’s a fairly random list of television programmes that I thoroughly enjoyed in 2014. There’s no way of measuring which was my 21st favourite and which was my 22nd favourite. (Also I caught up with two episodes of Toast after first composing the list and tried to move it up the chart, but it threw everything else out of whack and I conceded my folly!)

In its present state, it can do no harm, especially if it prompts debate or that warm feeling of “Oh yeah, I forgot about that.”

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1. The Leftovers, HBO/Sky Atlantic
2. Gogglebox, C4
3. Peaky Blinders, BBC2
4. Detectorists, BBC4
5. Hinterland/Y Gwyll, S4C/BBC Wales/BBC4
6. The Newsroom, HBO/Sky Atlantic
7. Game Of Thrones, HBO/Sky Atlantic
8. The Code, ABC1/BBC4
9. True Detective, HBO/Sky Atlantic
10. Gomorrah, Sky Italia/Sky Atlantic

The Lost Honour Of Christopher Jefferies, ITV
Looking, HBO/Sky Atlantic
The Missing, BBC2
Boardwalk Empire, HBO/Sky Atlantic
Happy Valley, BBC1
Line Of Duty, BBC2
Last Week Tonight With John Oliver, HBO/Sky Atlantic
The Walking Dead, AMC/Fox
Intruders, BBC America/BBC2
Mad Men, AMC/Sky Atlantic
Toast Of London, C4
Olive Kitteridge, HBO/Sky Atlantic
The Good Wife, CBS/More4
Babylon, C4
Stammer School, C4
The Mimic, C4
Marvellous, BBC1
W1A, BBC2
Boss, Starz/More4
Veep, HBO/Sky Atlantic
Penny Dreadful, Showtime/Sky Atlantic
Utopia, C4
Stewart Lee’s Alternative Comedy Experience, Comedy Central
The Honourable Woman, BBC2
Cilla, ITV
The Strain, Watch
Nixon’s The One, Sky Arts
The Legacy, Sky Arts
Plebs, ITV2
Scot Squad, BBC Scotland
Grayson Perry: Who Are You?, C4
The Bridge, BBC4
The Mill, C4
A Very British Renaissance, BBC2
The Village, BBC2
Uncle, C4
Suspects, Channel Five
The Great British Bake Off, BBC1
Dave Gorman’s Modern Life Is Goodish, Dave
The Trip To Italy, BBC2
The Art Of Gothic, BBC4
The Life Of Rock With Brian Pern, BBC4
People Just Do Nothing, iPlayer/BBC3
Modern Family, ABC/Sky1
Rev, BBC2
Hannibal, Sky Living
Sherlock, BBC1
Bright Lights, Brilliant Minds, BBC4
Louie, Fox
The Daily Show, Comedy Central
House Of Cards, Netflix

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Glib conclusions? Thank the lord for HBO, and by definition, Sky Atlantic. Also, what a year for drama. And not just American drama. In the Top 10 we find an Australian drama, and an Italian drama, as well as one from the UK (Peaky Blinders, which I hymned at length for the Guardian’s Top 10 TV here), and more specifically one from Wales, in Welsh (which premiered on S4C, in its native language, in 2013, but expanded into countless other territories, from Denmark to the US and Canada, in 2014). Other notable British entries include The Lost Honour Of Christopher Jefferies (which reminds us that ITV is the equal of the BBC when it wants to be), The Missing, Happy Valley, Line Of Duty and Intruders (a co-prod with BBC America).

I find it intriguing that a number of dramas in the list have been based on novels: The Leftovers, Game Of Thrones, Intruders, The Strain, The Walking Dead (a series of graphic novels). Great long-form TV drama is often referred to, with critical reverence, as “novelistic”, and this seems now to be literal. I’ve often felt that a 90-minute feature film, the usual resting place for a novel, is the wrong medium; eight hour-long parts seems so much more conducive to capturing a book’s essence. (Hey, that’s why Lord Of The Rings was made into three movies.) Anyone see The Slap, another all-too-rare Aussie import, in 2011? That was a novel; it worked on telly. I guess the weird bit – and this will be true for my favourite show of the year The Leftovers – is how to produce a second series when the source has dried up.

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Telly drama made the news in April when “Mumblegate” saw the BBC in the firing line – again – for the questionable sound quality of its latest original British drama, a three-part dramatisation of a novel, Daphe Du Maurier’s Jamaica Inn. This was mere weeks after I’d sat on the Bafta jury for Best International Programme with its talented writer Emma Frost (I really liked her adaptation of The White Queen in 2013). I enjoyed the first episode of Jamaica Inn, and said so in my Guardian review, but having viewed it on catch-up I think we missed out on the technical problems that bedevilled it for those who watched it live. Also, we watch so much mumbly drama in our house, we had no problem straining to hear what Sean Harris was saying. Others had a bigger problem, and a storm in a teacup brewed. Harris redressed the balance with his sweetly self-conscious acceptance speech for Southcliffe at the Baftas. But I felt sorry for Emma, because I am a writer, and there but for the grace of executive whim, go I.

I also thoroughly enjoyed the coverage of The World Cup on ITV and BBC in June and July, and you can re-read my enthusiastic but clueless reports, Braz1l, Bra2il, 3razil, Br4zil, Bra5il and 6razil here. That’s a lot of hours of television, right there.

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My own contributions to the small screen have been limited this year. I was thoroughly proud to have script-edited the second series of Badults on BBC3, and – a new gig – the second series of Drifters on E4. One of my in-development sitcoms bit the dust, but not through want of effort and lateral thinking and getting Simon Day in to help gag it up.

My talking head was on the aforementioned Most Shocking TV Moments on Channel 5, also, for the same channel, I did Greatest 80s Movies, which I didn’t see, but I assume went out? More covertly, I added my two-penn’orth to Crime Thriller Club on ITV2, as I like the kind of crime thrillers that are on that channel and quite fancied talking about them with my head. Apart from that, I’ve been busying myself writing and rewriting my dystopian thriller, which is, yeah, yeah, in development. Here’s hoping it does something slightly more meaningful than get rewritten in 2015. Reuniting with Simon Day has been a positive thing, and I’d love to think we can do something together in the near future.

Telly Addict continues, of course, which is a bit like being on the telly, isn’t it? Here’s your static moment of Zen …

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I’m so happy

TA157grabA week since Happy Valley reached its satisfying finale on BBC1, so on Telly Addict we catch up with that; also, Amber, an RTÉ One drama about another fictional kidnap showing here on BBC4; A Very British Airline, which is basically a long advert for British Airways on BBC2; Dinner At 11, a social/TV experiment from C4 involving preternaturally eloquent and politicised 11-year-olds (look out for Grace); and a lovely snippet of For No Good Reason, the feature-length portrait of Ralph Steadman which aired on Sky Atlantic. I wrote to Ralph when I was an art student and asked if I could become his assistant. He wrote back and said no, but to keep up the good work. I loved him then and I love him now.

Here is the mumblemumblemumble

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Two talking point TV shows on Telly Addict this week: BBC1’s top-notch Jamaica Inn, which found itself embroiled in a teacup-storm about the mumbling of tightly-wound character actor Sean Harris, whose performance as the dastardly Cornish innkeeper Josh Merlin was typical for him and catnip to his fans, but not helped in this instance by a “technical” issue that muddied the sound of the live broadcast of Easter Monday’s first episode. Cue: self-flaggelation by the Corporation on the News and elsewhere. (I watched it on catch-up, which suffered no such issue, so enjoyed the whole thing thoroughly – then again, I like straining to find the rhythm of a performance, if it’s well done – anyone who watched all of The Wire will understand how bracing it can be.) Also, there was the much-chattered-about Derek on C4, whose titular performance took flak when it first emerged, and to be honest, little has changed. Also, less controversially, unless you believe Bible stories to be sacred (so to speak), the Easter episode of the finite Rev on BBC2; and Boss on More4, which returned in confident style, even though its fate is sealed. And a bit of Mad Men that’s not a spoiler. That’s the kind of controversy I like to avoid.

Get GoT

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This week’s Telly Addict does not feature the first episode of the new season of Game Of Thrones, which, after weeks of hype, went out on Sky Atlantic at 2am on Monday morning (or Sunday night, if you prefer), to sync with the US premiere on HBO. It’s impossible for me to review this epic saga without spoiling it for those without a Sky subscription, an HBO subscription or the spirit of lawlessness to illegally download. So, as an experiment, and a one-time-only deal, I have reviewed it separately, here. Thus, the regular Telly Addict is here. It’s all about New Worlds on C4; Klondike on Discovery; The Trip to Italy on BBC2; Monkey Planet on BBC!; Endeavour on ITV; and a bit of The Voice on Gogglebox on C4.

London sucks

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Sorry, failed to announce last week’s Telly Addict (and the one before) on this blog, due to crashing deadlines, so here, in the traditional manner, is the alert for what is, in code, TA145, that’s the 145th weekly TV review I’ve done since April 2011. Coming up to its third birthday! And still basically dancing the same jig: what I have done watched on the telly during the week previous, discussed, with myself, in a manner than cannot meaningfully be transcribed and run as text on the Guardian website, despite constant, whining calls for this service. (The same folk must often complain to a dog that they’d rather it was a cat.) Here we go then: Mind The Gap on BBC2, a nuanced look at the way London sucks talent and money away from “the rest of the country” from Evan Davis; Gogglebox, of course, on C4, although rationed doses for this third series, as as not to do myself out of a job; Shetland on BBC1, a detective drama almost as bleak as Hinterland; the delightful Great Canal Journeys with Prunella Scales and Timothy West on More4; the misleadingly titled Michael McIntyre Chat Show on BBC1; and a clip from Astronauts: Living In Space on C4. Normal service resumed.

TV 2013: The returning

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I doubt I’ve ever watched as much TV as I did in 2013. Self-evidently, it’s because I’ve been reviewing TV throughout the year, again, thanks to the Guardian’s continued patronage of Telly Addict, which has now reached its 134th edition. There’s a special review of the year up now, although, in the heat of trying to put together a definitive list, I forgot to mention The Returned, which is something of an omission. I’ll provide a Top 10 here, as it’s easy enough to siphon out the highest echelon from another quality-packed year. But after that, they’re in no order. All entries here are, in my fallible opinion, what the piece of furniture in the corner was made for.

1. Utopia, C4*
2. Breaking Bad, Netflix
3. Ripper Street, BBC1
4. The Returned, C4
5. Louie, Fox
6. Parks & Recreation, BBC4
7. Gogglebox, C4
8. Fresh Meat, C4
9. Game Of Thrones, Sky Atlantic
10. Broadchurch, ITV

Friday Night Lights, Sky Atlantic
The Walking Dead, Fox
Sound Of Cinema, BBC4
The Fall, BBC2
Love/Hate, C5
Y Gwyll, S4C

The Job Lot, ITV
In The Flesh, BBC3
The Village, BBC1
Boardwalk Empire, Sky Atlantic
Stewart Lee’s Alternative Comedy Experience, Comedy Central
The Wrong Mans, BBC2
Bates Motel, Universal
Hannibal, Sky Living
The Newsroom, Sky Atlantic
Boss, More4
The Good Wife, More4
Nashville, More4
Fried Chicken Shop, C4
The Route Masters, BBC2
David Bowie: Five Years, BBC2
Family Tree, BBC2
The Great British Bake Off, BBC2
Southcliffe, C4
Dates, C4
Mad Men, Sky Atlantic
It’s Kevin, BBC2
London Irish, C4
Oliver Stone’s Untold History Of The United States, Sky Atlantic
The United States Of Television, BBC2
Suits, Dave
Veep, Sky Atlantic

I feel certain I’ll have missed essential titles off this already fairly swollen list, so let me know if I have.

*Having named Utopia as my TV show of the year, it would be rude of me not to provide a link to it at the Channel 4 Store website, as Channel 4 DVD were kind enough to send me a copy just before Christmas when I merely asked them, via Twitter, where I might buy a physical copy at short notice (having failed to find one in my local HMV). For that, they deserve a link. It was re-watching the whole thing between Christmas and New Year that just edged it past Ripper Street in my final list. It was close run.

Down, down, deeper and Downton

TA129This week’s Telly Addict bids a merry, upbeat farewell to Series Four of Downton Abbey on ITV; measures the running time of two extra-length comedies, Fresh Meat on C4 and Ambassadors on BBC2; sings along without much gusto to The Choir on BBC2; squares up to Bouncers on C4; frets over the dog on Bates Motel on Universal; and wonders if Portrait Artist Of The Year on Sky Arts1 will draw a crowd.