Day Two of Mr Blue Sky series 2. The palatial middle studio at Soundhouse on what is now an ominously deserted industrial estate in Shepherd’s Bush is our place of work until the end of next week. Already, we are into a rhythm. We’re recording the six half-hour episodes very much out of sequence, in order to accommodate the intricacies of actor availability. There is something utterly thrilling about seeing massive piles of scripts, especially if you wrote them. This is why I was drawn to pointing at them in the above pic.
In the background of this shot from the green room, or anteroom, or outhouse, is Navin Chowdhry, who plays builder Rakesh – and imbues every one of his lines with such seductive innuendo we had to get him back to provide romantic intrigue with the happily married Mrs Easter. In the foreground is Rosamund, star of all the This Is Englands and Life’s Too Short, and, as of now, the new Charlie in Mr Blue Sky. In real life, as in fiction, she turns out to be something of a force of nature. You need one of these on a gruelling week of drama. (Last year we had the walking fireworks display Joe Tracini, who now belongs to Hollyoaks and, one must assume, keeps their morale up when the going gets tough.) Rosamund travels down each day from Nottingham, so she wins the prize for the longest commute, I think. The other cast members travel from as far afield as the South coast and from as near afield as pretty much over the road. Although there is much about the piecemeal assembly of a radio comedy that is not like a day at the office, it does a good impression of a day’s work, in that we start at a fixed time, end at a fixed time, and break for lunch.
Today, as you can see below, those nice people at Pieminister sent over a box of pies for us to mark National Pie Week. Although some of our cast – naming no names – are watching their weight, most of us tucked in. This was a welcome invasion by the outside world into our mostly windowless existence. Here are the cast eating their lunch (I have saved their blushes by not actually showing them shoving food into their mouths, but you can see the hands of TV’s Claire Skinner delicately dissembling her Big Cheese Pie with a plastic knife and fork.)
This was my Cow Pie before I dissembled it.
We’re on schedule as I write, which is just after lunch. Our producer and production co-ordinator have created a spreadsheet that must be obeyed. As a writer, you just merrily knock this stuff out, without too much of a care for how long scenes are, or how many characters are in it, or whether or not a character is heard enough times in a scene to suggest that they are still there – all stuff that presumably becomes second nature the more you do radio drama, which is what this essentially is – but on the day, these poor actors have to make sense of it, hit their marks, live out the fiction in a plain studio and give their best performance. The Easter family of four has become five in Series 2, and with the addition of Harvey’s racist Mum for a couple of episodes (played with fabulous gusto by the amazing Sorcha Cusack of the Cusack dynasty), which means some scenes have six voices, which is both an amazing sight to behold through the glass, and an amazing thing to hear through the speakers, but quite a headache to choreograph.
This (below) is the man who makes much of it happen. He’s Wilfredo, our studio director, who works wonders with sound effects both digital and physical, and mans the desk throughout. He is a laconic and calming presence. When all around is chaos, he keeps his head.
I shall end today’s entry with a snapshot of the whole Easter family, who, as I write, are pretending to eat in a pizza restaurant. From left to right: Claire Skinner (Jax Easter), Tyger Drew Honey (Robbie Easter), Rosamund Hanson (Charlie Easter), Mark Benton (Harvey Easter), Kill-R (Javone Prince) and Lou Easter (Sorcha Cusack).