Taking my cue from a remark made by Breaking Bad creator Vince Gilligan in the final episode of the excellent PBS documentary The United States Of Television (re-framed and shown here with added Yentob on BBC2), this week’s Telly Addict sets out to prove that the best TV drama is better than Hollywood movies, with specific reference to Game Of Thrones and Mad Men, both at episode seven in their respective seasons on Sky Atlantic at time of writing; also, a tiny leap from Oliver Stone’s Untold History of America, also on Sky Atlantic, to The 80s: The Decade That Made Us on National Geographic (first time on Telly Addict for the channel – ripple of welcoming applause); plus, The Fall, on BBC2, an excellent new police drama from BBC Northern Ireland that punches it weight with the American occupiers; and a strange signal from Hannibal on Sky Living. A packed programme tonight, as the Ronnies used to say. And better than The Great Gatsby, for sure.
On this week’s Telly Addict, we bid farewell, or au revoir, to three dramas that came to an end last week. The Village on BBC1, whose first chapter took us from 1914 to 1920, took a bow via a lovely closing shot of the entire village gathered around the new war memorial; Endeavour on ITV, whose fourth mystery was called Home, scattered lots of delicious clues to future events which we have already seen, on Morse, and left Detective Constable Endeavour himself with the threat of a limp “in middle age”; and Boss, on More4, whose first season operated at such a high pitch of corruption and venality, it was a surprise to see the delicate visual flourish that I have chosen as my clip to illustrate what has been a terrific run. There’s also a peek through our fingers at The Apprentice on BBC1, whose launch episode drew its lowest audience since 2007, and something almost as horrible, NBC’s Hannibal, on Sky Living. I also find time to commend the accessible documentary Bankers on BBC2, which lines up plutocrats in suits and supplies fruit to throw at them.
Catching up with the Masterchef final on BBC1 from last week this week on Telly Addict. Also, the quick death of Four Rooms on C4; Da Vinci’s Demons on Fox; a much more promising new US drama, Banshee, on Sky Atlantic; and two new sitcoms on ITV, Vicious and The Job Lot, one of which I’m sticking with. Due to the Bank Holiday, I hadn’t seen the final episode of The Village when I wrote this one, so I’ll catch up with it next week, as I understand it ended with a song and dance number.
So, we’ve reached 100 and nobody’s taken us off the air yet. This is the centennial of Telly Addict. I wrote and read out the first one in May 2011, and have done so pretty much every week (except occasional public holidays and the week I had off when the insanely ambitious Stuart Heritage siezed his opportunity) ever since, for 100 weeks in total, not including the Bake Off special I did at Christmas. That’s a lot of first episodes of a lot of TV programmes that I never watched again, assessed in a pithy and I hope lenient manner while sat at a diagonal from the camera, straining at the Autocue, and taking care to rotate my shirts so that the same one doesn’t appear more often than once every six weeks. (Don’t go back and check, nerds, as I’m more vigilant on this score now than I started out being, and anyway, a lot of those black shirts are different black shirts.)
The big celebration is just a normal Telly Addict, except with a rare clip from one of the first shows I reviewed, which I feel sure you’ve all forgotten, Exile on BBC1. From the modern day: the final moments of Broadchurch on ITV; The Politician’s Husband on BBC1; The Wright Way on BBC2; Playhouse Presents: Snodgrass on Sky Arts; Masterchef on BBC1; and a couple of quick nods to Mad Men, and Da Vinci’s Demons.
What interesting connections we can make on this week’s telly on Telly Addict. Brushing Up On … British Tunnels with Danny Baker on BBC4 is essentially a middle-aged man reading out words he has written between some archive clips; Oliver Stone’s Untold History of the United States on Sky Atlantic (from Showtime in the US) is essentially a middle-aged man reading out words he has written between some archive clips; in Panorama: North Korea Undercover, easily the most talked about TV show of last week, reporter John Sweeney attempts, as does Stone, to get under the skin of a country whose propaganda is all-powerful (and in both cases, Stone and Sweeney risk excommunication from the nation which they criticise); 30 Rock‘s Season 6 finale, on Comedy Central, includes jokes – aired in May 2012 on NBC – about the totalitarian quirks of the North Korean regime; Modern Family, an imported US comedy not given to inter-textual cross-media jokes that are the stock-in-trade of 30 Rock, tries one on for size with a coda based on The Godfather on Sky1; and I also review new ITV three-parter The Ice Cream Girls, which has no link whatsoever with the other shows. Ah well. You can’t join everything up.
A mere 58,000 viewers tuned in to Sky Atlantic overnight on Wednesday to watch the majestic return of Mad Men, which is down even from the channel’s 98,000 for the start of Season Five last year. It really is one of the least-watched pieces of genius on TV, and it’s the lead review on this week’s Telly Addict, so the Murdoch-intolerant and/or surcharge-averse will at least get to see some majestic clips from its December 1967 incarnation. I also check back in with Game Of Thrones on the same channel (which gets more like 710,000 viewers, by comparison); welcome the first full series of Morse prequel Endeavour to ITV; warm to Victoria Wood’s Nice Cup Of Tea on BBC1; mark the upward turning point of Season 2 of Parks & Rec on BBC4; and applaud Mark Gatiss’s latest period Doctor Who on BBC1.
Finally, a review of the start of Season Three of Game Of Thrones, although this week’s Telly Addict will, of course, start looking old and off the ball again by Wednesday, when Mad Men returns to Sky Atlantic for Season Five. You’ll have to wait until next Tuesday morning for a pithy summation of that. I do recognise that not everybody had Sky Atlantic, whether for fiscal or ideological reasons, and I do my best to sidestep spoilers in my reviews of these imported classics that may not arrive on DVD for a year (and the same with the clips I choose). But it’s a cold, hard truth that we must all learn to work with: some of the best telly in the world is on Murdochvision. Also this week, on telly-for-everybody, The Great British Sewing Bee on BBC1; The Village on BBC1; and The Intern on C4. Hooray.
Since Game Of Thrones – or GoT as all the uncool kids are calling it – is the most talked-about TV show of the moment, with catch-up guides in every newspaper for those losers who haven’t been watching it from the start (we’re at Season Three for heaven’s sake – do you really have to wait for the broadsheets’ permission?), I have to confess that I’m not reviewing Game Of Thrones on this week’s Telly Addict, because, when I wrote and filmed it yesterday afternoon, the first episode hadn’t aired. (I review, not preview, as previously established.) But we do have the jolly return of Doctor Who on BBC1; Paul Hollywood’s Beard/Bread on BBC2; the latest sci-fi saga from the JJ Abrams universe, Revolution on Sky 1; an update on Broadchurch on ITV; a warm welcome for the regeneration of Foyle’s War on ITV; and a sneak preview of The Village on BBC1.
I have now, of course, watched the first episode of GoT, and it really is not for the latecomer. That’s all I’ll say. Full review next week.
As a fan of both James Nesbitt and Ireland, I was always bound to kick off this week’s Telly Addict with James Nesbitt’s Ireland on ITV, although it wasn’t quite the paradise I’d hoped for. Also, although this isn’t a request show, I had the Wyoming-set cowboy detective series Longmire on TCM recommended me to me a couple of weeks ago, and I checked it out. In order to counterbalance last week’s BBC-only Telly Addict, I went to the new Boss on More4, in which Kelsey Grammer finally emerges from the shadow of Frasier by swearing and shouting and twisting a political opponent’s ear (see: clip); tapped a toe to the impenetrable return of Treme to Sky Atlantic; and loved the second ever live episode of the otherwise flagging-a-bit 30 Rock on Comedy Central. Next week, I promise to review Paul Hollywood’s Beard on BBC2.
This week’s Telly Addict has been brought to you by Into The Woods, a bracing new book about screenwriting, with particular emphasis on the craft of storytelling for TV, by my former boss John Yorke, who produced Collins & Maconie’s first ever radio programme in 1993, Fantastic Voyage, and then became my executive producer on EastEnders some years later, and then Head of Drama at the BBC (he’s now hopped it to the private sector). Anyway, it’s published in April, I’ve been devouring a preview copy, and it currently infects the way I view TV. Henceforth, take copious notes as you view my analytical reviews of the monomythic Masterchef on BBC1; In The Flesh on BBC3; Prisoners’ Wives on BBC1; and It’s Kevin on BBC2. There is no masterplan here, they just happen to be all BBC shows. (I say there’s no masterplan, but as John’s book proves, all stories subconsciously adopt the same structure, so even Telly Addict has a quest, a midpoint, an inciting incident, a protagonist and antagonists, a prize, a resolution and a symmetry between beginning and end. Check it out.